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He even recalls licking the surface of a Vermeer painting during a visit to New York’s Frick Museum in 1959. Natkin’s literal attempt to “ingest” or “imbibe” Vermeer’s Technique was futile. Deeply disappointed by the unremarkably dry taste of the canvas, Natkin realized that it was through the metaphorical “tongue of the eye” alone that he would be able to absorb Vermeer’s aesthetic mastery.
posted by phoenixc at 8:26 AM on November 8, 2006