Arguably, the most clever aspect of the movie is its use of the 1977 film Tiger and Crane Fist (a.k.a. Savage Killers) as the backdrop for Kung Pow's "action". Using digital effects techniques, Oedekerk inserts himself seamlessly into scenes from the earlier feature, making it appear as if he's interacting with the characters in Tiger and Crane Fist.By the way, he also says that it stunk.
Much of the film is in Japanese, and some of the English subtitles appear to be intentionally incorrect or missing, in the spirit of "language play" or "the Tower of Babel". (Confirmed by director Peter Greenaway at a talk at the San Francisco Film Festival.)
Similarly, the nominally French lyrics (and subtitles) of the lovers' theme ("Parfait Mélange") are actually somewhat "fractured French"
A hilarious situationist comedy
The story line is simple: a classic kung-fu movie has simply had the entire dialogue changed to represent the epic battle between the proletariat and the bureaucracy, with a martial arts school as the utopian commune. That idea alone is comic genius, and as if the idea wasn't funny enough, the writing is hilarious. For example, when a little girl runs away from her little boy friend, one of his friends comforts him and says something to the effect of, "Please forgive her for being a Marxist, she just doesn't know better."
posted by danb at 6:17 PM on October 24, 2007