Utlanning (translated: "outlander" or "foreigner"", utlänning in Swedish) are strangers of one's own species and one's own world (i.e. community or culture). An utlanning is a person who shares the observer's cultural identity. For example, if one were to meet a stranger who lived in another city, state, or province, this person would be considered utlanning.
Framling (translated: "stranger", främling in Swedish) are members of one's own species but from another world or culture. This is a person who is both substantially similar to and significantly different from ourselves. For example, if one met another human who lived on Mars, this person would be a framling (a classic example is Robert A. Heinlein's Stranger in a Strange Land). At the time the Hierarchy is proposed, each planet in the Ender's Game Universe (other than Earth) has been colonized by a single terrestrial culture or nation, making humans from other planets "framlings." In passing from Nordic to Stark, the word dropped its umlaut.
Ramen are strangers from another species (as paradoxically explained in Card's own terms) who are capable of communication and peaceful coexistence with Homo sapiens, though that does not guarantee they will pursue the latter. While ramen can share ideas with each other, they may not have common ground, at least not initially. Some examples of ramen featured in the series are the piggies or Little Ones of Lusitania, Jane and the buggers. "Ramen" is the only word of the five to not come from a Scandinavian language.
Varelse (pronounced var-ELSS-uh[2]) (translated: "being") are strangers from another species who are not able to communicate with us. They are true aliens, completely incapable of common ground with humanity. The quasi-intelligent Descolada virus may or may not have been sentient enough to qualify in this category; their creators, the Descoladores, were easily identified as sentient (due to their clear mastery of mathematics, genetics and electromagnetism), but the Ender Quartet ends with years of study yet remaining before any meaningful communication can be entered with them. One character also describes all animals as being varelse, since with them "no conversation is possible. They live, but we cannot guess what purposes or causes makes them act. They might be intelligent, they might be self-aware, but we cannot know it." Translated from Swedish, varelse means "creature."
Djur (translated as: "slavering beast"): are the monsters. "The dire beast that comes in the night with slavering jaws." Translated from Swedish, djur means "animal".
The bioengineering is precise and efficient. Everything is optimized in accordance with the physiology and metabolism of the host, and in the interest of flexibility. Anything deemed superfluous to survival is unsentimentally jettisoned. The “neohumans”mate quickly, reproduce in great numbers (in “litters” of five or more), and mature rapidly. They exhibit both swarm behavior — ganging up together when necessary to overwhelm the host’s defenses — and nomadic distribution — “scattering themselves throughout the interior of the gargantuan alien” to reduce the chances of being all wiped out at once by the host’s counterattacks. Once they have killed their host, they go into hibernation within “protective vesicles,” in order to survive the vacuum of deep space until they can encounter another host. In this way, they are able to perpetuate both their genes and their cultural heritage. Since they unavoidably “possess a basically nonmaterial culture,” they only use light-weight technologies that have been interiorized within their bodies. They are especially gifted with “mathematical skill,” including a genetically-instilled “predisposition toward solving… abstruse functions in their heads.” Aesthetically, they are all masters and lovers of song, “the only art form left to the artifact-free neohumans.” Mathematics and music are the sole “legacy of six thousand years of civilization” that has been bequeathed to them. The lives of the neohumans are short and intermittent; they are “mayflies, fast-fading blooms, the little creatures of a short hour. Yet to themselves, their lives still tasted sweet as of old.”Now that, that's just alien as all getout.
The aliens (or possibly alien) in Peter Watts' Blindsight are thoroughly unlike humanity on a crucial and fundamental level. I can't go into details without completely ruining the surprise, but the point near the end of the book when all the details fall into place is incredibly creepy and unsettling.+1. A lot of sci-fi aliens can be summarized as "like something here on Earth, but With A Twist!", but the fundamental strangeness of Blindsight's life forms completely blew my mind. Most of the plot centers on discovering the nature of the aliens so going into any detail would be spoileriffic, but if there's anything I've read that fits your question, this is it.
posted by teraflop at 12:11 AM on September 30
posted by The Lurkers Support Me in Email at 10:17 AM on September 30
You are not logged in, either login or create an account to post comments
The Crystalline Entity, also from Star Trek.
posted by The World Famous at 8:32 PM on September 29