... By developing elaborate metaphors and analogies with familiar spaces, cyberpunk began to teach what cyberspace might mean as a place. It is not necessary to survey all these visions to grasp this. Examining two of the more important [...] William Gibson's 'cyberspace' from the trilogy Neuromancer, Count Zero and Mona Lisa Overdrive, and Neal Stephenson's 'metaverse' from Snow Crash.On the other hand, Deeper: Adventures on the Net (John Seabrook, 1998) says "In what John Perry Barlow liked to call "meatspace"—the hopelessly postindustrial but stubbornly persistent Real World—..." and The Sociology of Mathematics Education (1998), mentions meatspace and quotes Barlow's (in)famous "A Declaration of the Independence of Cyberspace" (Feb 8, 1996) which does not in fact contain the term.
[blah blah about Gibson's trilogy] ... By the end of the trilogy several characters forsake their bodies, their 'meatspace', for a pure existence as spirits or angels as cyberspace. ...
1995 Seattle Times (Nexis) 30 Oct. A1 In this sagebrush ranch town where the elevation is about eight times the population, John Perry Barlow is multitasking between cyberspace, meatspace and parentspace about as well as a mere mortal can do.
1997 J. SEABROOK Deeper vi. 209, I suddenly wished we were not actually in ‘meatspace,’ but somewhere on-line, so that I could log out of this conversation easily.
1999 Computing Canada (Electronic ed.) 1 Jan., If you like shopping at The Gap or Canadian Tire in ‘meatspace,’ why not shop them in cyberspace as well?
posted by librarina at 8:57 PM on March 2, 2005