In March 1919, The Journal of a Disappointed Man by "W. N. P. Barbellion" was published. As promised, the absurdly pseudonymed author seemed disappointed and male; also brilliant, autodidactic, obsessive, explicit, self-lacerating, and dead.It's so good. Really it is.
The blend of naturalist and Naturalism naturally appealed to H. G. Wells. The blend of conventional tragedy and titillating dirt appealed to a larger audience. And "Barbellion"'s disappointment struck an introductory chord with those more fortunate members of his generation who'd survive to call themselves "Lost".
The book was therefore a success.
It was also a puzzle. The presumable source material wasn't presented raw; it had clearly been labored over. But the result was far from flattering, and hardly as sensitive to family feelings as one would expect from an executor.
Some doubted its veracity (as I've doubted Plain Layne and Belle de Jour). Speculation centered on Wells as the author. Again, unlikely. Although the book's power was cumulative and structural, that thudding, cyclic, organic, and anticlimactic structure matched no existing model of the novel.
Later in 1919, the controversy was somewhat settled when a second "Barbellion" book appeared: Enjoying Life and Other Literary Remains, an awkward assemblage of odds and ends with a forward by the author's brother. Some pretense of disguise was maintained — the forward was signed only "H. R. C." — but the scientific papers reprinted there were little harder to trace than a domain registration would be these days.
The next year a slim sequel to the Journal appeared, a Last Diary in which the protagonist, undead without comment, quickly went on to die again. No further resurrection was forthcoming.
posted by Wolfdog at 2:18 PM on December 12, 2007