My favorite part of museums these days are the visible storage units. My favorite part of natural history museums are old-fashioned drawers filled with air-tight cases. I want to know more about the history and practice of storing/preserving art objects, paintings, sculpture, textiles, etc. What books/websites should I be reading to find out more? The more weirdly medium specific and detailed the better. Strange anecdotes very much welcome.
I have a very old photo of a family member, Edward Mackintosh, who died during the First World War in the Quintinshill Rail Disaster. As far as I know it is the one remaining photo of him. Sadly it is in very poor condition. It is in a locket (photo) and has adhered to the glass. We're fairly certain that it isn't glued, but it has been worn my my Mum for many years and has suffered dampness and perfume etc, which has caused it to stick. I'd really like to take a good quality (or best possible) scan of the photo to give to my Grandfather. Is there any way to achieve this? Ideally I'd remove the photo from the glass so I could take it to a local photo shop for scanning. But if that's the wrong approach I'm happy to take advice!
I'm taking up restoration of mechanical calculators as a hobby. To what extent would repairs/part replacements constitute "restoration", and when does it become "reproduction" instead? [more inside]
What's the best way to find a career in historical preservation/art restoration from where I am now? [more inside]
How is the meaning of art and artefacts being altered by the methods we use to: Experience, Define and Preserve them... In other words, in what ways have technologies been used to experience, re-define and/or preserve art and artifacts? [more inside]
I'm taking a road trip through the southwest, and I'd like to see places with an interesting backstory or that show you "behind the scenes." I'm interested in places with political, economic, environmental, or industrial significance. Can you recommend some? [more inside]
In this interesting fpp about the 2005 National Recording Registry, 'audio experts' are quoted as saying "too few people have the skills to preserve many at-risk analog sound materials." Where would one obtain these skills? [more inside]