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	  <title>Ask MetaFilter questions tagged with musicianfilter</title>
      <link>http://ask.metafilter.com/tags/musicianfilter</link>
      <description>Questions tagged with 'musicianfilter' at Ask MetaFilter.</description>
	  <pubDate>Thu, 03 Feb 2005 16:06:43 -0800</pubDate> <lastBuildDate>Thu, 03 Feb 2005 16:06:43 -0800</lastBuildDate>

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	<title>Making Money at Music</title>
	<link>http://ask.metafilter.com/14733/Making%2DMoney%2Dat%2DMusic</link>	
	<description>MusicianFilter: The other day, a buddy of mine and I were having a bizarre conversation about musicians and perceived success. We started joking around, supposing that, say, En Esch from KMFDM/Slick Idiot really works at Kinko&apos;s in Joliet, using the assumed name &quot;Benny.&quot; But that got us thinking - at what point are (established/presumably successful) recording artists able to move from their day jobs into full-time musician mode? Or what happens when they move back? And, additionally, if they are still pulling down day jobs, what are some good examples (apart from session musician, studio tech, etc)?</description>
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	<pubDate>Thu, 03 Feb 2005 16:06:43 -0800</pubDate>
	<category>dayjob</category>
	<category>fulltime</category>
	<category>musicianfilter</category>
	<category>musicians</category>
	<category>success</category>
	<dc:creator>kuperman</dc:creator>
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