Recommend me some fun(-ish) fiction in which characters forcibly escort other characters from Point A to Point B, all the while developing some kind of relationship. Maybe it's a cop escorting an arrestee, maybe it's a US Marshal escorting a reluctant federal witness, maybe it's a bounty hunter escorting a bail jumper, maybe it's a truant officer scooping up a truant, or maybe it's something less official entirely. [more inside]
I am interested in variations -- that is, not just a body count -- of the doppelganger and evil twin themes in fiction, folklore, and movies. [more inside]
What are some examples of works of fiction (e.g. novels, movies) that feature a Thanksgiving family gathering as a major plot element? [more inside]
Along with a friend, I have been immersed in Dark Souls for over 100 hours the past couple weeks. Although we still have much ground to cover, we're obsessed with the beautiful world, tone and feel created by this game. Are there any movies or books that capture this? Don't know what Dark Souls is like? Explanation has lots of detail! [more inside]
I'm looking for lines of dialogue from movies, novels, or elsewhere, in which someone says that something is not an X, even though it is an X, just not a mere X or typical X. An example of the type of exchange I'm looking for: "Wow, you spent a year's salary on a car?" "A car? This is isn't a car. It's a Lamborghini!" The second person knows that their Lamborghini is a car, but means to express that it isn't just a car. (It's important for my purposes that the person doesn't say 'just'.) There must be some recognizable instances of this type of speech, but I'm drawing a blank. Any ideas?
Are there any horror works which do not derive increased horror from increased knowledge? [more inside]
Last week I read David Foster Wallace's "A Supposedly Fun Thing I'll Never Do Again" (thanks to this FPP), while in the middle of reading Moby Dick. I found them resonating together so well: the high tragedy mixed with low comedy, the elaborate descriptive asides, the playing with formatting, the casual authorial self-hatred, the obsession with morality, to say nothing of the mechanics of the ship and the sea. All this without a single over reference back to Melville. What are some other great co-reads (or movies/TV/opera/album/etc.) to get that enriching resonance? Subtle is good: think tone, theme, shape more than plot or character. If you've caught Laurence Weschler's McSweeney's series of Convergences (published in book form here), that's more what I mean. The reader/viewer makes the connections without being led by the author (So, for instance, King Lear & Jane Smiley's A Thousand Acres are too overtly linked). Bonus points for something that goes well with Cloud Atlas (the book, not the movie).
Spoiler filter - novels/scripts where the protagonist was in a coma/dead (etc) the whole time? [more inside]
Please recommend stories about mental battles. Specifically, people overcoming deep-seated fears or beliefs. [more inside]
I'm looking for novels or movies that feature teenage protagonists suffering from depression, schizoid tendencies or similar psychological defects. [more inside]
What novel would make a great low-budget film? Any genre. Bonus for strong female lead under the age of forty, but not necessary. [more inside]
Please recommend maritime novels and movies set in the late Victorian era.
Please recommend me some novels and movies set in 1920s New York City. [more inside]
What is this book?-Filter: I read a novel some 20 years ago, and cannot remember who wrote it or the title. Please read [more inside]
How often are the stories of a comic, novel, play, TV series, movie, or song conceived by the writer's friend, relative, acquaintance, neighbor, mailman, dog, etc? [more inside]
Can you recommend any really good novels (or movies) that portray something in the Old or New Testament in a new way, or which add to the Old/New Testament, such that they could be considered 'modern Biblical apocrypha'? [more inside]
What are some great novels and movies about breakups and divorce? [more inside]
Fiction usually comes in two flavours: 1st person narrative or 3rd person description. What short stories or novels have been written in 2nd person perspective (i.e. from the reader's viewpoint)? Also, are there any movies shot entirely from this angle?
I'm trying to learn about the Edwardian era especially (but not exclusively) in England, Ireland, and Canada. What excellent materials (fiction and non-fiction books, movies, websites, etc.) have you read and seen about this period?