I’m looking for suspenseful, edge-of-your-seat movies (horror, mystery, thriller, action) that are reasonably realistic and have a conclusive, unambiguous ending. When watching movies, I’m always willing to suspend some disbelief, but only up to a point. I’m turned off by gaping holes in the plot line, implausible twists, and puzzling endings. [more inside]
I saw Crimson Peak over the weekend, and, separately, I've had the Sleeping Beauty waltz in my head all morning. I'm in a waltzy mood, and want to watch youtube clips of beautiful, cinematic, sweep-you-off-your-feet waltzes from the movies. What are your favorites?
Directors of photography like Roger Deakins, Robert Elswit, and Robert Richardson have distinct styles but are nevertheless first class examples of cinematography done right. I am looking for resources that delve into the type of lights they use, lighting plans (specific setups from certain scenes), and examples of intensities of the used lights (in LM). Any of these would be helpful really.
I am looking for as many examples of wind energy in movies as possible. No limits in terms of country of origin, language, genre, etc. [more inside]
Any recommendations for espionage movies? I somehow let a decade and a half go by relatively movie-less. I do have Netflix, but please don't limit your recommendations if Netflix doesn't have it. Classics are fine, too. Thanks so much!
What foreign or classic film would you like to watch at a drive-in? [more inside]
Can I view an English language version of Ant-Man at a theatre in Tokyo this week? Japanese subtitles not a problem of course.
So I know about Bill Plympton, Don Hertzfeldt, Nina Paley, and Phil Nibbelink, but are there any other people who have animated an entire feature length film all by themselves?
Trying to remember the name of a movie I only saw a clip from about 22 years ago. It was a color film, definitely arthouse/independent -- possibly foreign. All I can remember is a piece of fruit (a pear?) playing an important symbolic role, and in the scene either the fruit (or perhaps it was a ball) was rolling incongruously across the floor of a nice manor room where elegant-looking people were sitting. Ring any bells?
I love movies about spunky teens running from the law and becoming folk heroes, like The Legend of Billie Jean or Times Square. The "running from the law" part is negotiable; I like stuff like Ladies and Gentlemen, The Fabulous Stains as well. Spunky teens are a must though! [more inside]
I love cult movies about dumb teenage boys having adventures, possibly in the 1950s/1960s and possibly in a 1980s/1990s production. Like Stand by Me, The Sandlot, and The Outsiders, or Lost Boys and Bill & Ted's Excellent Adventure. What other movies would I love? [more inside]
Where do you go to find out about really cool indie films? Just saw a trailer for the movie A Girl Walks Home Alone at Night and thought it looked amazing (to give you an idea of the kind of movies I'm looking for). I'd like to find a blog or website with reviews for indie movies like this one that don't necessarily make it out to theaters or get reviewed in major publications. [more inside]
After reading so many people say that Die Hard is a perfect (or at least near-perfect) action movie, I've wanted to watch other films that are considered perfect executions of their particular genre. What are the films you consider "perfect"? I'd love it if you could tell me why you or someone else considers them so, but if you can't do that I'm not really fussed.
A friend wants to get that witty romantic 70s NY film fix without the obvious choice of Woody Allen. What are other films in that same genre?
What are the best resources to learn the basics of cinematography? [more inside]
Has there ever been a war movie in which the entire movie depicted just one battle, start to finish? No flashbacks to the home front, no framing devices, not even cutaways to the Generals at HQ in a different location...just the battle?
I can only think of 'Alive'. what others am i missing?
Ever come across a scene in a movie and thought that the website or program or interactive "platform" was really cool? First thing that comes to mind of course is that really cool Minority Report scene or this Mission: Impossible software... It doesn't have to be too far into the future, it could be modern.. Could be the graphics that caught your eye, could be the simplicity, could be anything at all..
Just saw and really liked The Lunchbox. What are some other quirky, intelligent, modern romantic comedies? International titles appreciated, but not at all necessary.
I have one of the 27" Apple displays. I am flying from Seattle to Hawaii next week, and need to take the display along for work purposes. I have the original box, and the airline is fine with me checking this kind of 'luggage'. But I have a few concerns... [more inside]
Which websites, blogs, forums, etc, should I be following to be kept in the loop regarding new releases in international LGBTQ[etc] cinema? [more inside]
I'm looking into the concept of building a machine specifically for screening subtitles in a movie theater. [more inside]
What film is this? Can anybody help? My friend Gioia watched the first half of a movie in the middle of one night in the first 90s. She liked it, but since she was also very tired, so ended up sleeping. The days after she didn't think too much about this movie, but then after a while she found herself wondering and wondering again about it, and still is. She tried to retrieve the old show schedules, but unsuccesfully. So, what movie is this? This is the plot of the first half as she told me. The main character is a middle-aged white man who happens to lose his memory all at once. My friend Gioia doesn't remember the name of the character, nor the presence of some famous stars in the movie. [more inside]
I want to learn how to watch movies with more of a critical eye. I want to know what to pay attention to - technically, narratively, and so on -- and how to judge these things, so I can better appreciate what's going on. I'm looking for books or maybe documentaries that will help me do this. [more inside]
My partner loves ghost story movies that take out the usual blood-and-gore trappings of horror movies. The Others is a particular favorite. Can you recommend other movies in this unsearchable-on-Netlflix microgenre?
When I was about eight years old, I saw a horror movie that scared the hell out of me. I'd like to identify it. I ran a bunch of Google searches, but I didn't come up with anything that matches my memory of the movie. [more inside]
We have five aluminum 30" Apple Cinema displays at the office. They are slowly going dim. I don't want to trash them. How can they be fixed? [more inside]
Okay, so I used to share a house with this guy who would often bring home lots of good Asian cinema (of all sorts, but this question is about martial arts movies), but I moved across the country back in 2005 and I've been getting a hankering for some well-choreographed fighting. I haven't been paying attention to what's come out lately, so I don't know much of what's out there. So I'm looking for the best and cleverest fight choreography from Asian cinema, from 2005 on. [more inside]
How can a film rely solely on the opinions/viewpoint of a (social, political) activist without ultimately becoming a propaganda piece? If a movie focuses on an activist, does it have to feature his/her dissidents for it to be objective? Can't the film just allow for this person to tell his/her story and still not be classified as being sympathetic towards him/her? Are there any prominent examples of films that focus on such figures, for which the filmmakers have been later praised/vilified? [more inside]
i really like the slow/subtle treatment of ennui/cultureshock/different manifestations of love/and the engaging "nonplot"
I have a 2009 MacBook Pro. I need to scale up to a large external monitor but both the new 27" Apple Cinema Display ($999) and the old 30" one (available on CL) are a bit on the expensive side. Are there comparable quality ones I can get for cheaper? Would love to hear about ones you've tried.
Recently I was reading a book by Joseph Campbell called "The Hero with a Thousand Faces" which goes into how the "mono-myth" pattern serves as the underlying structure for most Western movies (think Star Wars, The Matrix, ...). I would love to learn more about alternative story arcs and dramatic structures (like the famous three-act structure), with examples from famous films. Any comprehensive resources, blogs, articles, anything?
I feel very uneducated in 'important' cinema and I'd really like to know and understand more. If I knew how to properly define 'important' I probably wouldn't need to ask the question, but names like Kurosawa, Tartakovsky, Fellini that I know I don't know anything about. What I'm hoping the lovely hivemind can do is give me a good starting point - something equivalent to the five-foot shelf of books that contains an entire liberal education (http://archive.org/details/harvardclassics), but for cinema. DVD collections (or YouTube links) that form part of this would be welcome too. Basically, help me educate myself in cinema!
I'm 30 years old and I just saw Casablanca for the first time. All of a sudden I understand why so many people joke about "always having Paris." And all of those references to gin joints. Can you recommend some other movies to me that are equally important for understanding American pop culture? [more inside]
There are commercial films that have a structure unlike anything else in cinema - radically different than even other other films by the same director or producers. Take for example My Dinner With Andre's real-time documentation of a dinner between two men, the way The Umbrellas of Cherbourg is completely sung, but like an operetta and not a musical, Timecode's real-time quadruple-screen, or the way Incubus used Esperanto. What are some other examples of films that have had a truly unique structure or key formal device? [more inside]
Calling film historians and conservators! I am working on a historical novel set in the 1910s and I would like to get more of a feel for the time and place. Are there any high-quality online archives of films and newsreels of that era, from the likes of Vitagraph, Essanay and other studios? [more inside]
My google-fu is failing me, and this is beginning to bug the shit out of me. Hivemind, you're my only hope. What was the Iranian (I think) film I saw, made around five-to-ten-years ago, about a community living aboard a derelict oil-tanker beached in the Arabian gulf..? If it's any help, the screening I attended at the Filmhouse cinema in Edinburgh was followed by a Q&A with the director (and was probably presented as part of the Edinburgh International Film Festival).
What are some of the most interesting theoretical models for understanding the plots and themes of movies that were not designed to generate them like Inception was? [more inside]
I'm at home ill at the moment, watching lots of films and reading a lot (this week I've watched 14 films and read 2 books). I'd like to find sites (or podcasts/lectures/etc) that intelligently examine media and/or popular culture. I regularly read articles on Popmatters and sometimes the A.V. Club (but not so much). What are your favourite film/media crit resources? Podcasts? Lectures? Thank you in advance for any help!
Does anyone have any links to watch the various shorts that have been nominated for this years Academy Awards? [more inside]
Not too long ago, I had the opportunity to see these two films: Café Transit, and Buddha Collapsed Out of Shame, which I greatly enjoyed. I was wondering if anyone could recommend me similarly enjoyable films, irrespective of country of origin. [more inside]
Can you talk me through the issue of rights and royalties for a small community cinema? [more inside]
What is this old (60s?) movie that I saw about 20 minutes of a couple of weeks ago on TV? Set in Italy, there's a gigolo and a couple of movie stars and a Hedda Hopper like character and a scene in a grotto type restaurant. [more inside]
I'm looking for examples of visual timelines in movies, video games, or fiction. Scenes where a span of time is represented metaphorically, preferably as a physical object, diagram, or action. A good example is this scene from Me and You and Everyone We Know in which two characters use a street as a visual metaphor for their potential relationship. [more inside]
What format should we see The Hobbit in? [more inside]
In film and literature, how does one deal with the smorgasbord of themes and lack of a single, unifying meaning? [more inside]
Can you help me create a list of example of "Immersion Cinema"? [more inside]
Looking for help figuring out ways to teach a tween how to make films. [more inside]
What was produced at the factory at the beginning of Michelangelo Antonioni's Red Desert? [more inside]
Looking for a Japanese film I saw prior to 2003. It was a dystopian picture of some people trying to have an office romance in the corporate office landscape of Tokyo - lots of shots of bleak urban concrete and highways and faceless office parks full of conformist white collar employees - in the final scene of the film one of the characters is stranded walking along the edge of a highway. It dealt with a complicated love triangle. I know this isn't the title, but it was something like "Kiss me twice, now hold me I love you" or something a little crazy like that- I believe this film was made in the 90s or the early 2000s. It was in Japanese language with subtitles. There is a slight chance it may have been Korean, but I'm pretty sure it was Japanese. This film may have been discussed by Fredric Jameson in one of his essays as it was screened in a graduate school class on Japanese cultural critique.