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	  <title>Ask MetaFilter questions tagged with audioediting</title>
      <link>http://ask.metafilter.com/tags/audioediting</link>
      <description>Questions tagged with 'audioediting' at Ask MetaFilter.</description>
	  <pubDate>Tue, 21 Apr 2009 11:26:14 -0800</pubDate> <lastBuildDate>Tue, 21 Apr 2009 11:26:14 -0800</lastBuildDate>

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	  <docs>http://blogs.law.harvard.edu/tech/rss</docs>
	  <ttl>60</ttl>	  
	<item>
	<title>How to get my old Pro Tools Mac projects to work with my new Pro Tools for PC?</title>
	<link>http://ask.metafilter.com/120099/How%2Dto%2Dget%2Dmy%2Dold%2DPro%2DTools%2DMac%2Dprojects%2Dto%2Dwork%2Dwith%2Dmy%2Dnew%2DPro%2DTools%2Dfor%2DPC</link>	
	<description>Pro Tools Mac to Pro Tools PC. How can I successfully transfer Pro Tools LE 5.1.1 sessions kept on Lacie Pocket HDs like &lt;a href=&quot;http://www.amazon.co.uk/Lacie-portable-pocket-hard-drive/dp/B0000CDUD8&quot;&gt;this&lt;/a&gt;, formatted for use with old Macs (OS 9.2) for use with my Pro Tools &lt;a href=&quot;http://www.digidesign.com/index.cfm?itemid=5343&amp;langid=100&quot;&gt;Mbox2 Micro&lt;/a&gt; (which I think is running LE 7.4) on my laptop PC (Windows XP)? I&apos;ve looked at the digidesign pages but I&apos;m not very technical at all, and I don&apos;t even know where to start. I suspect that the hard drives with FireWire are formatted to work with Macs not PCs (I&apos;ve heard something called FAT 32 mentioned?).&lt;br&gt;
&lt;br&gt;
 I&apos;d be equally happy if people could point me to where I could find someone who I could pay to do it for me, so long as it wasn&apos;t fiendishly expensive. I&apos;m in Edinburgh Scotland, but also I&apos;m often in London. What might really help is being able to find a Pro Tools specialist who could advise me on the best way forward, as the organisation I work for has developed an IT policy which is hostile to Pro Tools but I need to keep my archive projects viable and accessible and want to keep editing on it at home for some projects where it is the best answer. Thanks!</description>
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	<pubDate>Tue, 21 Apr 2009 11:26:14 -0800</pubDate>
	<category>audioediting</category>
	<category>Mac</category>
	<category>PC</category>
	<category>ProTools</category>
	<category>resolved</category>
	<dc:creator>Flitcraft</dc:creator>
	</item>
	<item>
	<title>How can I use my audio editing skills?</title>
	<link>http://ask.metafilter.com/112206/How%2Dcan%2DI%2Duse%2Dmy%2Daudio%2Dediting%2Dskills</link>	
	<description>I recently left my job in public radio and am curious about other fields, aside from radio, that use audio editors/producers. I&apos;ve thought of museum audio commentaries, but I&apos;m sure there are others that haven&apos;t crossed my mind.</description>
	<guid isPermaLink="false">tag:ask.metafilter.com,2009:site.112206</guid>
	<pubDate>Wed, 21 Jan 2009 06:56:53 -0800</pubDate>
	<category>audioediting</category>
	<category>audioproduction</category>
	<dc:creator>melodykramer</dc:creator>
	</item>
	<item>
	<title>Alternates to Adobe Audition</title>
	<link>http://ask.metafilter.com/106634/Alternates%2Dto%2DAdobe%2DAudition</link>	
	<description>Looking for load-time solutions for audio editing files through a bottlenecked network structure. Part of my job involves editing .wav files that are around 100-500mb. Unfortunately, due to some boneheaded decisions on how a colocation data backup center should work, ALL of our data is stored offsite, and our pipe through there is sluggish at best (a frustrated rant for another time). &lt;br&gt;
&lt;br&gt;
We use CoolEdit Pro, which has a function to create a .pk file which serves as a cache/bookmark and allows us to open the files across the network in a matter of seconds instead of 20-30 mintues. CoolEdit has since been bought out and revamped as Adobe Audition, but our licenses don&apos;t cover upgrades to the new version. Meanwhile, CoolEdit is becoming increasingly unreliable on our machines because the software is 10 years old or so, and doesn&apos;t like XP much anymore. &lt;br&gt;
&lt;br&gt;
Work doesn&apos;t want to pay for the Audition upgrade license (something like $1000 a pop), so is there any other basic audio editing software that uses a function similar to the .pk cache, and has decent volume leveling/normalizing/hard limiting functions?</description>
	<guid isPermaLink="false">tag:ask.metafilter.com,2008:site.106634</guid>
	<pubDate>Wed, 12 Nov 2008 12:52:26 -0800</pubDate>
	<category>adobe</category>
	<category>audioediting</category>
	<category>audition</category>
	<category>cooledit</category>
	<dc:creator>FatherDagon</dc:creator>
	</item>
	<item>
	<title>Wanted: Ideas for beginner&apos;s audio projects</title>
	<link>http://ask.metafilter.com/105075/Wanted%2DIdeas%2Dfor%2Dbeginners%2Daudio%2Dprojects</link>	
	<description>Teaching audio recording &amp;amp; editing to beginners at Uni (for &lt;a href=&quot;http://www.bcs.org/server.php?show=ConWebDoc.13698&quot;&gt;this certificate&lt;/a&gt;). Looking for ideas for mock projects to get them going in the practical session. I&apos;ve got to demonstrate Adobe Audition, Audacity &amp;amp; GarageBand, and  have to have students get their feet wet using them (all in the space of one three-hour slice). I&apos;ve got a lab with Macs and PC&apos;s with above software, a bunch of head- and microphones ... What I&apos;m really lacking is creative ideas for mock projects that will get them going playing around. A radio show about [...]? A jingle for [...]? A podcast about [...]? (Yes I am going to use the Metafilter podcast as an example, too :-) ... Anyway, help me to inspire 19-25 yr old UK students to get going on loop-based composition and recording voice &amp;amp; stuff. Many thanks for your help!</description>
	<guid isPermaLink="false">tag:ask.metafilter.com,2008:site.105075</guid>
	<pubDate>Fri, 24 Oct 2008 07:59:19 -0800</pubDate>
	<category>audio</category>
	<category>audioediting</category>
	<category>audiosoftware</category>
	<category>projects</category>
	<category>resolved</category>
	<category>teaching</category>
	<dc:creator>yoHighness</dc:creator>
	</item>
	<item>
	<title>What are some audio editing jobs a public radio producer could get, that aren&apos;t in public radio?</title>
	<link>http://ask.metafilter.com/101089/What%2Dare%2Dsome%2Daudio%2Dediting%2Djobs%2Da%2Dpublic%2Dradio%2Dproducer%2Dcould%2Dget%2Dthat%2Darent%2Din%2Dpublic%2Dradio</link>	
	<description>What are some jobs that someone with a background in audio editing/production could apply for, that don&apos;t involve public radio? I&apos;ve worked in the production end of public radio for most of my career, and I&apos;m ready for a switch. The thing is, I&apos;m just not sure what to switch into - and I don&apos;t want my production and editing skills to go to waste.&lt;br&gt;
&lt;br&gt;
I&apos;m really good at cutting tape and producing material -- and was thinking maybe it&apos;d be fun to design and create museum audio tours, or podcasts for a company or university -- or something equally unique. I&apos;m just not sure what&apos;s out there, but I know I could and should put these audio skills to good use. if you&apos;re aware of various companies that employ audio editors/producers, I&apos;d love to know about them. &lt;br&gt;
&lt;br&gt;
I don&apos;t want to work in the music industry -- but would be interested in multimedia positions (aka...audio slideshows or something like that...)</description>
	<guid isPermaLink="false">tag:ask.metafilter.com,2008:site.101089</guid>
	<pubDate>Sun, 07 Sep 2008 06:33:04 -0800</pubDate>
	<category>audioediting</category>
	<category>media</category>
	<category>production</category>
	<category>publicradio</category>
	<category>radio</category>
	<dc:creator>Anonymous</dc:creator>
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