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	  <title>Ask MetaFilter questions tagged with artefacts</title>
      <link>http://ask.metafilter.com/tags/artefacts</link>
      <description>Questions tagged with 'artefacts' at Ask MetaFilter.</description>
	  <pubDate>Tue, 05 Feb 2008 15:00:33 -0800</pubDate> <lastBuildDate>Tue, 05 Feb 2008 15:00:33 -0800</lastBuildDate>

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	  <docs>http://blogs.law.harvard.edu/tech/rss</docs>
	  <ttl>60</ttl>	  
	<item>
	<title>Art and artifacts experienced through technology</title>
	<link>http://ask.metafilter.com/82866/Art%2Dand%2Dartifacts%2Dexperienced%2Dthrough%2Dtechnology</link>	
	<description>How is the &lt;em&gt;meaning&lt;/em&gt; of art and artefacts being altered  by the methods we use to: &lt;strong&gt;Experience&lt;/strong&gt;, &lt;strong&gt;Define&lt;/strong&gt; and &lt;strong&gt;Preserve&lt;/strong&gt; them... In other words, in what ways have technologies been used to experience, re-define and/or preserve art and artifacts? I came across &lt;a href=&quot;http://www.scienceblog.com/cms/hidden-art-could-be-revealed-new-terahertz-device-15401.html&quot;&gt;news on a technique using terahertz radiation&lt;/a&gt; to &apos;see&apos; under the surface of paintings and murals. I know that similar methods have been used before, most especially to see the sketches under (Leonardo da Vinci) paintings or to map the outline of archaeological sites by satellite etc. I am interested in amassing a collection of such techniques, not limited to paintings and certainly from a wide spectrum of scientific and technological applications (for instance: art includes literature or music, artefacts can refer to objects or cultures, a new technology may simply be a new theory of linguistics).&lt;br&gt;
&lt;br&gt;
Any links and or examples, books, journals, people you know of would help me immensely. My past questions express quite neatly the kind of reading background I have, please &lt;a href=&quot;http://www.metafilter.com/activity/24592/posts/ask/&quot;&gt;give them a glance&lt;/a&gt; if you have time. &lt;br&gt;
&lt;br&gt;
Thanks muchly...</description>
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	<pubDate>Tue, 05 Feb 2008 15:00:33 -0800</pubDate>
	<category>academic</category>
	<category>archaeology</category>
	<category>art</category>
	<category>artefacts</category>
	<category>artifacts</category>
	<category>arts</category>
	<category>consciousness</category>
	<category>history</category>
	<category>language</category>
	<category>literature</category>
	<category>media</category>
	<category>news</category>
	<category>perception</category>
	<category>research</category>
	<category>restoration</category>
	<category>science</category>
	<category>technology</category>
	<category>theory</category>
	<category>time</category>
	<dc:creator>0bvious</dc:creator>
	</item>
	<item>
	<title>The mimetic and narrative capacities of artefacts</title>
	<link>http://ask.metafilter.com/82100/The%2Dmimetic%2Dand%2Dnarrative%2Dcapacities%2Dof%2Dartefacts</link>	
	<description>I am interested in the mimetic and narrative capacities of &lt;a href=&quot;http://en.wikipedia.org/wiki/Artefact&quot;&gt;artefacts&lt;/a&gt;, how cultural remnants transmit information through time and how meaning is translated once an artefact is re-appropriated or examined from a new perspective. I have several avenues of study at the moment (a list in extended explanation), but would like some more ideas. Areas of critical theory, linguistics, evolutionary psychology and poetics are all relevant. I want to show that the narratives and metaphors which can be understood as the architecture of our brains are somehow &lt;a href=&quot;http://en.wikipedia.org/wiki/Mimesis&quot;&gt;mimetically&lt;/a&gt; present in the physical, cultural and linguistic &lt;a href=&quot;http://en.wikipedia.org/wiki/Artefact&quot;&gt;artefacts&lt;/a&gt; which surround us.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
Here are a few of the readings I have gathered so far:&lt;br&gt;
&lt;br&gt;
- Anthropological and evolutionary studies into the nature and transmission of narrative by &lt;em&gt;Michelle Scalise Sugiyama&lt;/em&gt; (in particular her essay &apos;Reverse-Engineering Narrative&apos; from the book &apos;The Literary Animal&apos;).&lt;br&gt;
- &lt;em&gt;Mikhail Bakhtin&lt;/em&gt;&apos;s &apos;Discourse in the Novel&apos; (where he talks about language as having &apos;genres&apos; or &apos;tastes&apos; which can transmit as much meaning as the words themselves).&lt;br&gt;
- &lt;em&gt;Michael Shanks&lt;/em&gt; and &lt;em&gt;Lynn Hershman Leeson&lt;/em&gt;&apos;s &lt;a href=&quot;http://www.seedmagazine.com/news/2007/08/michael_shanks_lynn_hershman_l.php&quot;&gt;conversation at Seed Magazine on &apos;Presence&apos;&lt;/a&gt; in art and archaeology and how new technologies affect it.&lt;br&gt;
 - &lt;em&gt;Susan A. Stewart&lt;/em&gt;&apos;s book &apos;On Longing&apos;.&lt;br&gt;
- &lt;em&gt;Gaston Bachelard&lt;/em&gt;&apos;s book &apos;The Poetics of Space&apos;&lt;br&gt;
&lt;br&gt;
Thanks in advance!</description>
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	<pubDate>Sun, 27 Jan 2008 15:58:58 -0800</pubDate>
	<category>artefacts</category>
	<category>essay</category>
	<category>evolution</category>
	<category>language</category>
	<category>literature</category>
	<category>mimesis</category>
	<category>narrative</category>
	<category>objects</category>
	<category>philosophy</category>
	<category>poetics</category>
	<category>psychology</category>
	<category>space</category>
	<category>theory</category>
	<category>time</category>
	<category>translation</category>
	<category>writing</category>
	<dc:creator>0bvious</dc:creator>
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