I'm going to callbacks for a production of Carousel tomorrow. Yay! I'm in the running for the role of Nettie, as well as the ensemble. I'm primarily a singer and will be asked to read sides and perform some quickly taught choreography. What can I do between now and tomorrow to improve my acting and my dancing? Tips, tricks, and anecdotes welcome, assume I'm starting from zero in both skill sets. Thanks!
It's relatively early days in my acting 'career'. I had a chance to get some headshots done by a 'big-shot' photographer. I paid for them, then his computer blow up and he lost them all. I repeatedly asked for my money back and it took months for him to even reply. He reimbursed me and said he'd give me some complimentary shots. [more inside]
I'm playing Costard in a production of Love's Labours Lost. He's a lower class character among royalty. A bright guy, but ignorant of their ways. I want to attempt a Southie accent, and I'm looking for help. So far I've re-watched Good Will Hunting, The Fighter, and Ted, and have googled "how to do a Boston accent". I'm looking for additional advice from a Bostonian beyond the basics, but ideally, a phonetic transcription or recording of Costard's lines would really help me out. I've included the lines below. [more inside]
Can you think of any expressions of artist/fan ambivalence or outright antagonism? [more inside]
I have an audition for a fascinating role in a comic opera - a feisty soubrette who's magically aged to 75 while pretending to be that age. How do I play a much older character without resorting to stereotypes - or a whispery reedy voice, since it's still an opera? [more inside]
I have an audition coming up in 3 weeks for a play I really want to be in. I have a reasonable track record with auditions but my capacity to memorise script is not brilliant which is unfortunate clearly (!) and a worry. Specifically I notice I tend to get stuck on certain lines - why? Anxiety? [more inside]
I'm looking for books or blogs about actors trying to break into show business. Fiction or non-fiction. [more inside]
Ok, I'm studying a new improv role and really struggling to capture my character's essence. How do I act like a subtle but ruthless aggressor... without swerving into TV dominatrix land? Think strong, machiavellian, sadistic and contemptuous. With a kick of prima donna. [more inside]
Several months back I revisited a lifelong ambition and joined (part time) acting school. I was as a high as a kite... tapping into 'that' part of myself again, feeling encouraged and 'got' by a seemingly fun/knowledgeable/encouraging and well connected teacher, classmates are nice too.. but... [more inside]
For very low budget, collaborative efforts, where the script is an outline and you are told to act like yourself, where there is no pay and no craft services and you are doing it because you enjoy being together, how is ownership usually apportioned? [more inside]
I'm working on a roleplaying character (a Nosferatu for an upcoming Vampire game, if it matters) and I like the idea of his having a permanently phlegmy, "wet" voice. The problem is that my throat's usually fairly dry and whenever I try to pull such a voice I can only get a sentence or two out before I run through whatever moisture's there and it feels like I'm just grinding dry esophagus against itself. Is there any way to keep my throat moist and burbly without having to constantly chug fluids?
Solutions to work problems that are not, strictly speaking, happening in a "workplace" framework? Weird details inside. [more inside]
I'm very curious how actors are taught to shed their accents or mimic an accent. [more inside]
I'm taking a beginning acting class for kicks and giggles, and our instructor has asked us all to pick a 1-2 minute monologue we'd like to work on performing. I'm having a tough time coming up with something. Can you give me ideas? [more inside]
I am looking for recommendations about adult acting classes/courses in London to take later this year. I am interested in longer and more demanding courses (1 year or more), which I could accommodate with my day job. I know there are many options available (e.g. Foundation course at CityLit). I am asking here in order to explore all possible options and hear about your recommendations and experience. Thank you very much for any feedback! [more inside]
Do I have an opportunity for some killer career networking right on my doorstep? Or just the chance to be a pest? [more inside]
Seeking coping strategies for dealing with the public on small and large scales during a major depressive episode. My old ways of dealing with a deep low like this are not compatible with the life I've built since the last time this happened, and I would like to keep that life together. [more inside]
Your stage experience has mostly been variations on the Vagina Monologues, political spoken word, or absurdly sexual burlesque. You secretly want to be Joan Jett. You're auditioning for something that asks for a monologue or song that is PG-13 at the most - what do you pick? [more inside]
I've noticed that female performers tend to keep the surname they were born with, if they don't come up with a whole new artist name entirely. They hardly ever take their husband's name. Please help me find a decent list of exceptions. I am looking for answers in two categories: 1. Women who started as performers, then changed their last names when they got married. 2. Women who got married and took their husbands' last names, then embarked on successful performance careers. Bonus points for women from the above cases whose husbands aren't famous themselves. Important: I am not interested in cases where the actress creates a hyphenation of her maiden name and her husband's name, like Farrah Fawcett-Majors, Jada Pinkett Smith, or Pamela Anderson Lee. Unfortunately those are the only ones I can think of!
People often put on a 'funny voice' or accent for emphasis or just in general conversation. This is possibly a reaction to their company but possibly some kind of psychological obfuscation? Does askmetafilter know of any any research into the way people put on funny voices for emphasis when they say things? Accents and intonations etc. Google has not been kind to finding ideas or starting points.
How to cry on command [more inside]
I'm auditioning for a show soon, for the first time in over a decade. I need help choosing audition material. [more inside]
Was I sexually violated? I keep obsessing about this, I don't know if the other parties care or have declared me a pariah [more inside]
I recently landed the role of Lennox in a local production of Macbeth—uh, "The Scottish Play"—despite very little experience in acting. I enjoy roles with fewer lines, so I was pleased at first. Now that we're well into rehearsals, however, I'm struggling with my personality and the character's. Lennox is a thane, a soldier, and I'm a weedy introvert. I need some help. [more inside]
CompleteWasteofQuestionFilter: Who's the fortyish, extremely lanky, English or English-accent-assuming male actor who has a prominent nose and long teeth, and wears his dark hair in a ponytail? I think he has worn a lab coat and/or black trenchcoat in an American television show in the past decade, but I cannot remember which Nerdy Scientist Guy he might have portrayed.
I have a crush on my stage partner. I know how bad an idea this is, but how do I keep it under control when I'm draped lovingly over him for half the show? Help me do my job without the temptation to, ahem, take work home with me? [more inside]
How do I hire someone in New York City that can provide a very unique service for a bachelorette party? This would involve specific timing, possibly a costume, decent voice, decent looks, heaps of charm. [more inside]
I'm looking for advice and resources on how to use improv to flesh out a written scene. I'm not looking for freestyle improv where you're trying to create a new situation, or general theater games, but a more targeted form of improv, where you already have a scene and characters and backstory and dialog, but you want to get the actors to exercise their imagination and flesh out the relationships rather than just play the dialog that's already on the page. What are some parameters? How involved should an improv scenario be in this situation? Should you tell the actors where to end up? How far do you let it go?
I'm moving to London soon and I have a freelance job (totally unrelated to entertainment) which lets me schedule my week however I like. I think it might be fun to get cast as an extra or even get a speaking role in random tv shows or movies filmed in London. How would I go about doing this? Are there websites to register at or do I need to get an agent? I have zero acting experience.
Quick, blush-inducing question: remember the diner scene in Silver Linings Playbook? I would like more scenes from movies/TV like that (basically, a conversation which plays out like an impromptu tango, and in which one/both parties finds themselves unexpectedly/uncomfortably/obviously aroused).
What is the most moral way for me to treat or respond to someone who acts in a way informed by less progressive values, given that they may not have had the opportunity, resources or upbringing to learn how to question their own thinking and biases? [more inside]
I'm learning a monologue with a General Australian accent, but I'm having trouble finding resources to check my pronunciation of the R-rated language in the monologue. Can you point me to recordings that may help? [more inside]
Can you point me to some (non-prosthetic) scifi/fantasy makeup looks? [more inside]
First rehearsal was last night. My cast member is already making me crazy. A little help? [more inside]
Hit me with your favorite monologues for women, 25-35, 3 mins or less. Dramatic, comedic, film, tv, theatre... don't care. I want exceptional, chewy material for a monologue slam.
How do I approach a castmate I've developed feelings for? We've been working on a show together for about a month, and I've developed an attraction to him. I immediately determined I should wait until the show closed to make any obvious moves, but I'm not sure how to do it. [more inside]
What would Cinderella eat? [more inside]
How do I figure out what I want to do and where I want to live and move to the other side of the country at the same time? Nature, dislike of large cities, an acting career...loooots of text inside, lots of explanation. Help! [more inside]
I'm working on a project featuring actors and actresses playing the role of the villain and I need some help. [more inside]
I'm trying to recall a book I read in college about The Method, as in Stanislavski. I'm pretty certain it's not "An Actor Prepares", but I could be wrong. Details inside. [more inside]
How do I learn to smile naturally, on command? I've started a performance art and need to be able to smile on command without it looking forced. Exercises, tricks, and explanations of how to "smile with your eyes" are all welcome! (Previous questions about smiling revolve around smiling in everyday life, which isn't exactly what I need.)
I am playing a bodyguard in a Lady Gaga-like music video. How should I prepare for the role? [more inside]
Can you recommend a good (and relatively inexpensive) beginning acting class or workshop in L.A.? (I know.) [more inside]
When dubbing English language TV shows/movies, does the same actor voice the same actor's roles? Or does, say, Tom Cruise have a different German voice in each movie? [more inside]
How can I work on a more "natural" delivery (emphasis, pitch, etc.) when reading books aloud? [more inside]
I read the AskMeFi question, The Beginners Guide to Theatre Acting which was great for auditioning ... the only problem now is I actually have a part! [more inside]
My sibling is at NYU in the Stella Adler acting studio. She is a freshman and is very frustrated with the lack of rigor the acting program offers. She is very disappointed and questioning if other people had this experience. Other students have also shared this feeling, not just about Stella Adler studio but also about the studios they are attending. Based on your experience, did you feel it was a quality program worth attending for 4 years? Do the studio classes improve after the 1st semester? I would really appreciate your honesty. Thanks.
Recommend a 1-3 minute monologue for an 8-year-old aspiring actor. [more inside]
Teaching an on-camera acting class to kids age 8-12. Looking for interesting TV and film scenes featuring kids. Can you suggest scenes, ideally as YouTube links or online scripts? [more inside]
Please recommend scenes of women flirting effortlessly, being casually sexy and generally feeling comfortable in a sexually confident way. [more inside]