My career requires me to periodically muster up tremendous amounts of emotion, energy, and enthusiasm, and perform huge amounts of emotional labour. It's like a rollercoaster: really fun and exhilarating once it gets rolling, but then it ends and drops me into a pit of fatigue and inertia. I mostly enjoy the highs, but how can I get better at managing the drops? (Lots more inside) [more inside]
I am considering going out on Halloween as Ser Jorah Mormont (of Game of Thrones). Part of the appeal is a little bit of character acting. What would Ser Jorah say, after squinting wistfully into the distance, if he misheard what his companion said in a noisy bar and instead responded about: his unrequited mistress, the wars of years past, the habits of Dothraki hordes, etc? [more inside]
In the film The Big Short, the three central characters - (Steve Carell's) Mark Baum, (Christian Bale's) Dr. Michael Burry, (Brad Pitt's) Ben Rickert - are shown as profiting tremendously by betting against the housing crash, yet all are shown as being pissed off about it to greater or lesser degrees. I have a hard time buying into this. If you spend all this energy playing the game and making a massive profit off it, can you really be said to be opposed to the game? [more inside]
Can you direct me to shows on Netflix that are sort of character sketches with really good acting as well as where intense stuff like, I don't know, murder, peril, sexual assault still happen? Examples within. [more inside]
Having never been to one before, I'm headed to my first RenFaire at the end of the month to vend (I know!). I have been doing extensive reading and practicing to prepare, and have come across several useful guides on "How to Speak Renaissance" - addressing people, casual conversation, even hawking wares. But none of these seem to cover the delicate subject of sales transaction itself. [more inside]
I talk fast. Very fast. Sometimes, when stressed or on low sleep, VERY fast indeed. This must stop! My attempts at speaking more slowly, unfortunately, have often verged on self-parody in the opposite direction: far too slow, or like an English actor doing a bad American accent. What are some good ways to slow down my speech and avoid these pitfalls? Thanks!
I'm looking for resources and sources on daily life for an average MGM contract player in 1940s - what an average working day looked like -- ideally focusing on mundane details like hours worked, how did you get there, union rules, where you entered and left, where you could and couldn't go etc. The more workaday the better. I've allready gone through Charles Brackett's diaries and halfway through MGM: Hollywood's Greatest Backlot ( which is good for physical locations so far), but its not as focused on the physical operations as I'd like.
I need some Dutch-speaking actors for a multi-media, animated, science fiction (?), art project I'm working on. Complications: very little money, and I (sadly) don't speak Dutch. [more inside]
My wife is a theater major who is in an upcoming prestigious national scholarship competition and needs material to mine. [more inside]
Is there a term among stunt actors for the primary actor they are doubling for? The actor can say, "That's my stunt double." But what does the stunt actor call the other actor?
I'm going to be teaching two 30 minute sessions for children living in a homeless shelter while their parents attend a mandatory meeting. I've been a camp counselor, taught after-school programs, etc. so I have experience in this arena but I've never taught an improv class for such young kids (4-10). What games would you recommend? What else am I forgetting? [more inside]
I've recently been interested in being an extra or a bit part or contestant in some kind of production. This is completely a curiosity and not some profound career change. How do I go about this without wasting all of my time and ending up around creepy people? [more inside]
I'm going to callbacks for a production of Carousel tomorrow. Yay! I'm in the running for the role of Nettie, as well as the ensemble. I'm primarily a singer and will be asked to read sides and perform some quickly taught choreography. What can I do between now and tomorrow to improve my acting and my dancing? Tips, tricks, and anecdotes welcome, assume I'm starting from zero in both skill sets. Thanks!
It's relatively early days in my acting 'career'. I had a chance to get some headshots done by a 'big-shot' photographer. I paid for them, then his computer blow up and he lost them all. I repeatedly asked for my money back and it took months for him to even reply. He reimbursed me and said he'd give me some complimentary shots. [more inside]
I'm playing Costard in a production of Love's Labours Lost. He's a lower class character among royalty. A bright guy, but ignorant of their ways. I want to attempt a Southie accent, and I'm looking for help. So far I've re-watched Good Will Hunting, The Fighter, and Ted, and have googled "how to do a Boston accent". I'm looking for additional advice from a Bostonian beyond the basics, but ideally, a phonetic transcription or recording of Costard's lines would really help me out. I've included the lines below. [more inside]
Can you think of any expressions of artist/fan ambivalence or outright antagonism? [more inside]
I have an audition for a fascinating role in a comic opera - a feisty soubrette who's magically aged to 75 while pretending to be that age. How do I play a much older character without resorting to stereotypes - or a whispery reedy voice, since it's still an opera? [more inside]
I have an audition coming up in 3 weeks for a play I really want to be in. I have a reasonable track record with auditions but my capacity to memorise script is not brilliant which is unfortunate clearly (!) and a worry. Specifically I notice I tend to get stuck on certain lines - why? Anxiety? [more inside]
I'm looking for books or blogs about actors trying to break into show business. Fiction or non-fiction. [more inside]
Ok, I'm studying a new improv role and really struggling to capture my character's essence. How do I act like a subtle but ruthless aggressor... without swerving into TV dominatrix land? Think strong, machiavellian, sadistic and contemptuous. With a kick of prima donna. [more inside]
Several months back I revisited a lifelong ambition and joined (part time) acting school. I was as a high as a kite... tapping into 'that' part of myself again, feeling encouraged and 'got' by a seemingly fun/knowledgeable/encouraging and well connected teacher, classmates are nice too.. but... [more inside]
For very low budget, collaborative efforts, where the script is an outline and you are told to act like yourself, where there is no pay and no craft services and you are doing it because you enjoy being together, how is ownership usually apportioned? [more inside]
I'm working on a roleplaying character (a Nosferatu for an upcoming Vampire game, if it matters) and I like the idea of his having a permanently phlegmy, "wet" voice. The problem is that my throat's usually fairly dry and whenever I try to pull such a voice I can only get a sentence or two out before I run through whatever moisture's there and it feels like I'm just grinding dry esophagus against itself. Is there any way to keep my throat moist and burbly without having to constantly chug fluids?
Solutions to work problems that are not, strictly speaking, happening in a "workplace" framework? Weird details inside. [more inside]
I'm very curious how actors are taught to shed their accents or mimic an accent. [more inside]
I'm taking a beginning acting class for kicks and giggles, and our instructor has asked us all to pick a 1-2 minute monologue we'd like to work on performing. I'm having a tough time coming up with something. Can you give me ideas? [more inside]
I am looking for recommendations about adult acting classes/courses in London to take later this year. I am interested in longer and more demanding courses (1 year or more), which I could accommodate with my day job. I know there are many options available (e.g. Foundation course at CityLit). I am asking here in order to explore all possible options and hear about your recommendations and experience. Thank you very much for any feedback! [more inside]
Do I have an opportunity for some killer career networking right on my doorstep? Or just the chance to be a pest? [more inside]
Seeking coping strategies for dealing with the public on small and large scales during a major depressive episode. My old ways of dealing with a deep low like this are not compatible with the life I've built since the last time this happened, and I would like to keep that life together. [more inside]
Your stage experience has mostly been variations on the Vagina Monologues, political spoken word, or absurdly sexual burlesque. You secretly want to be Joan Jett. You're auditioning for something that asks for a monologue or song that is PG-13 at the most - what do you pick? [more inside]
I've noticed that female performers tend to keep the surname they were born with, if they don't come up with a whole new artist name entirely. They hardly ever take their husband's name. Please help me find a decent list of exceptions. I am looking for answers in two categories: 1. Women who started as performers, then changed their last names when they got married. 2. Women who got married and took their husbands' last names, then embarked on successful performance careers. Bonus points for women from the above cases whose husbands aren't famous themselves. Important: I am not interested in cases where the actress creates a hyphenation of her maiden name and her husband's name, like Farrah Fawcett-Majors, Jada Pinkett Smith, or Pamela Anderson Lee. Unfortunately those are the only ones I can think of!
People often put on a 'funny voice' or accent for emphasis or just in general conversation. This is possibly a reaction to their company but possibly some kind of psychological obfuscation? Does askmetafilter know of any any research into the way people put on funny voices for emphasis when they say things? Accents and intonations etc. Google has not been kind to finding ideas or starting points.
How to cry on command [more inside]
I'm auditioning for a show soon, for the first time in over a decade. I need help choosing audition material. [more inside]
Was I sexually violated? I keep obsessing about this, I don't know if the other parties care or have declared me a pariah [more inside]
I recently landed the role of Lennox in a local production of Macbeth—uh, "The Scottish Play"—despite very little experience in acting. I enjoy roles with fewer lines, so I was pleased at first. Now that we're well into rehearsals, however, I'm struggling with my personality and the character's. Lennox is a thane, a soldier, and I'm a weedy introvert. I need some help. [more inside]
CompleteWasteofQuestionFilter: Who's the fortyish, extremely lanky, English or English-accent-assuming male actor who has a prominent nose and long teeth, and wears his dark hair in a ponytail? I think he has worn a lab coat and/or black trenchcoat in an American television show in the past decade, but I cannot remember which Nerdy Scientist Guy he might have portrayed.
I have a crush on my stage partner. I know how bad an idea this is, but how do I keep it under control when I'm draped lovingly over him for half the show? Help me do my job without the temptation to, ahem, take work home with me? [more inside]
How do I hire someone in New York City that can provide a very unique service for a bachelorette party? This would involve specific timing, possibly a costume, decent voice, decent looks, heaps of charm. [more inside]
I'm looking for advice and resources on how to use improv to flesh out a written scene. I'm not looking for freestyle improv where you're trying to create a new situation, or general theater games, but a more targeted form of improv, where you already have a scene and characters and backstory and dialog, but you want to get the actors to exercise their imagination and flesh out the relationships rather than just play the dialog that's already on the page. What are some parameters? How involved should an improv scenario be in this situation? Should you tell the actors where to end up? How far do you let it go?
I'm moving to London soon and I have a freelance job (totally unrelated to entertainment) which lets me schedule my week however I like. I think it might be fun to get cast as an extra or even get a speaking role in random tv shows or movies filmed in London. How would I go about doing this? Are there websites to register at or do I need to get an agent? I have zero acting experience.
Quick, blush-inducing question: remember the diner scene in Silver Linings Playbook? I would like more scenes from movies/TV like that (basically, a conversation which plays out like an impromptu tango, and in which one/both parties finds themselves unexpectedly/uncomfortably/obviously aroused).
What is the most moral way for me to treat or respond to someone who acts in a way informed by less progressive values, given that they may not have had the opportunity, resources or upbringing to learn how to question their own thinking and biases? [more inside]
I'm learning a monologue with a General Australian accent, but I'm having trouble finding resources to check my pronunciation of the R-rated language in the monologue. Can you point me to recordings that may help? [more inside]
Can you point me to some (non-prosthetic) scifi/fantasy makeup looks? [more inside]
First rehearsal was last night. My cast member is already making me crazy. A little help? [more inside]
Hit me with your favorite monologues for women, 25-35, 3 mins or less. Dramatic, comedic, film, tv, theatre... don't care. I want exceptional, chewy material for a monologue slam.
How do I approach a castmate I've developed feelings for? We've been working on a show together for about a month, and I've developed an attraction to him. I immediately determined I should wait until the show closed to make any obvious moves, but I'm not sure how to do it. [more inside]
What would Cinderella eat? [more inside]
How do I figure out what I want to do and where I want to live and move to the other side of the country at the same time? Nature, dislike of large cities, an acting career...loooots of text inside, lots of explanation. Help! [more inside]