Comments on: creative writing exercises

Question: creative writing exercises

invitapriore — Mon, 09 Jul 2007 20:00:53 -0800

Give me some exercises for creative writing.

Exercises have always helped me in all disciplines to develop my skills while maintaining focus because of the limitations given. I'd like some good exercises for creative writing, specifically ones that impose challenging constraints, as problem-solving seems to be the most productive way of learning for me.

Thanks for your help, and if you have something that doesn't quite fit the criteria but that you think is great anyway, feel free to post it.

By: Tomorrowful

Tomorrowful — Mon, 09 Jul 2007 20:08:39 -0800

Open up a newspaper to the local section; for each headline, write ~500 words that led to it.

Pick a sentence out of a book. Use some random system (numbers on cards?) to select a word from that sentence. Begin a sentence with that word. Repeat, etc.

Go to a supermarket, pick a person going through the express checkout, and 'figure out' why they're buying what they are, why the need it, and why they're slightly ashamed to be seen buying it.

By: schroedinger

schroedinger — Mon, 09 Jul 2007 20:10:51 -0800

Daily five minute writing exercises. Worked for me.

By: nameless.k

nameless.k — Mon, 09 Jul 2007 20:11:38 -0800

I'm in a writing workshop right now. I thought the following exercise was helpful:

SCENE/SPECIFICATION
Think of two of your characters in a particular setting. Write some notes about the two characters (name, age, etc) and their setting (time of day, outside/inside). Then write one sentence in response to each prompt. The piece should read as a continuous whole:

1. A sentence with a wall or boundary in it.
2.A sentence with weather in it (air, temp)
3. A sentence with a sound in it
4. A sentence with a gesture in it
5.A line of dialogue of six words or less
6. A sentence with light in it
7. A line of dialogue of ten words or more
8. A sentence with a ceiling or floor in it
9. A sentence with texture in it
10. A sentence with an object smaller than a hand in it
11. A sentence with an allusion to literature or art in it.
12. A sentence fragment.
13. A sentence with a piece of furniture in it
14. A line of dialogue that is a question.
16. A sentence with a hand or fingers in it
17. A sentence with a dash in it
18. A sentence with an allusion to a current event in it
19. A sentence with a metaphor in it
20. A line of dialogue that is whispered

By: Cool Papa Bell

Cool Papa Bell — Mon, 09 Jul 2007 20:20:09 -0800

The Raymond Chandler exercise we did in college: Take any piece of your writing, and pick a random spot. At that spot, have two men with guns enter the room. Start writing a new story from that spot.

By: sleevener

sleevener — Mon, 09 Jul 2007 20:31:54 -0800

Not sure if you're working mainly on poetry or fiction or what, but in either case, if you can exhaust Bernadette Mayer's list you might want to try Charles Bernstein's list.

By: youngergirl44

youngergirl44 — Mon, 09 Jul 2007 20:38:45 -0800

I know I have answers to this question. They're just all in a storage box I can't get to at the moment. There are some I need to revisist myself, so I'd be happy to get back to you.

In the meantime, the Creative Writer's Handbook is full of exercises.

By: brujita

brujita — Mon, 09 Jul 2007 21:16:05 -0800

A paragraph without using any conjugation of "to be".

By: eritain

eritain — Mon, 09 Jul 2007 21:36:37 -0800

A sestina in iambic pentameter. Even if your ultimate goals are in prose, it's valuable for the sake of rephrasing and of rhythm.

By: theantikitty

theantikitty — Mon, 09 Jul 2007 21:41:20 -0800

I often use The Poets Companion, In the Palm of Your Hand, and The Practice of Poetry for my workshops. I find them to be excellent resources.

By: solongxenon

solongxenon — Tue, 10 Jul 2007 00:12:35 -0800

Great thread- thanks for posting this!

One exercise from Creative Writing class I found useful is to write the first and last lines of a story. Take it from there.

A really cool (a bit of an emotional wringer) exercise involves imagining a particularly tense, heated scene, maybe an argument you had with someone.

Now write about what happened from the other person's p.o.v. I gave this one to my student and the light went on for him.

Playing with p.o.v. is always interesting, e.g. personification- what would a piece be like from the point of view of a goat? Or a park bench? Or an alien?

By: mdonley

mdonley — Tue, 10 Jul 2007 00:44:21 -0800

In 90 seconds, write down all the words you associate with a hospital.

At the end of the 90 seconds, write a story using all the words, but not setting it in a hospital.

By: juv3nal

juv3nal — Tue, 10 Jul 2007 02:15:30 -0800

look into the oulipo. oulipo compendium, harry mathews ed./atlas press is a good place to start.

By: bukvich

bukvich — Tue, 10 Jul 2007 05:25:18 -0800

My writing mentor swears by Bernadette Meyers' list posted above by Sleevener.

Also you didn't ask, but you might be interested in Auden's cure for writer's block. Go back up the paper to the last line you wrote that grabs you. Now, write that line over and over. Before you've written it ten times your writers' consciousness stream shall kick in again by Jack's magic beans.

By: gnomeloaf

gnomeloaf — Tue, 10 Jul 2007 05:43:35 -0800

Brian Kiteley has some really interesting exercises here...kind of like the John Gardner exercises, if you're familiar with those.

He, in turn, links "Thirteen Writing Prompts" from McSweeney's, which is hilarious and, very occasionally, tempting.

By: angry.polymath

angry.polymath — Tue, 10 Jul 2007 06:37:45 -0800

Lots of awesome suggestions here for "writer's block" (personally I think there's no such thing) and idea generation.

I double solongxenon's suggestion about POV. If Im looking to flesh out a dry scene or get a handle on my character's emotions, I often start writing out questions as though they were being asked by a 6 year old; "Why is that man yelling? Why is that lady crying? Why is that chair broken?"

Another good thing to try when your narrative is stuck is to "raise the stakes". Whatever situation your protagonist is in, make it worse for her/him. Drive your character to action, using any means necessary.

I'm surprised no one has brought up Absinthe yet. Should be in every writer's toolbox (whereby "toolbox" I mean "liquor cabinet").

By: ourobouros

ourobouros — Tue, 10 Jul 2007 07:15:25 -0800

My favorite exercises come from John Gardner's The Art of Fiction. There's a whole section of them in the back, for individuals and for groups.

By: vytae

vytae — Tue, 10 Jul 2007 07:38:11 -0800

A daily writing prompt, for example, "Your favorite possession has climbed to the top of the Empire State Building and is threatening to jump. Talk your beloved item out of jumping by expressing your love and letting it know why it's so important to you."

"More prompts than you'll ever be able to write about" has a bunch of links to other sites that list writing prompts.

By: Baby_Balrog

Baby_Balrog — Tue, 10 Jul 2007 09:04:18 -0800

I found Natalie Goldberg's book Writing Down the Bones to be the most useful work I've ever read on this topic. (Plus you can get it used for a penny!!)

By: MetaMonkey

MetaMonkey — Tue, 10 Jul 2007 09:32:33 -0800

Automatic writing can be a good exercise to dust off some inner cobwebs and stimulate the imagination. Just start writing with the first thing that pops into your head, and don't stop until your brain runs out of words.

By: Oriole Adams

Oriole Adams — Tue, 10 Jul 2007 14:33:56 -0800

Write an alternative ending to an episode of your favorite TV show.

By: invitapriore

invitapriore — Wed, 11 Jul 2007 11:19:19 -0800

Great stuff, all of it. Thanks!