Bugarijas
March 6, 2004 8:55 PM
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Odd Ethnic Croatian instruments...I found my dad's old bugarija, and took it to the local folk-music shop to get restrung. They gave me strings based on the thirty-year-old strings that were on the thing. I looked online and foud out that the instrument is commonly tuned to an open D, but there's no way I can wind the strings up that tight without breaking stuff. If possible, I'd like to tune it like a guitar's top strings, and leave the bottom two strings as a drone and octave ('chorus'), but don't really know what my options are. My dad hasn't played it in 40+ years so he's no help...any one know anything 'bout a bugarija? One other thing: it's got five tuning pegs, but both the nut and the bridge have seven slots, with different spacing. Anyone know what the heck is going on?
posted by notsnot to media & arts (10 comments total)
They basically suggest two variations on three systems, thus:
Bulgarija I DGB or DCE or GGBD
Bulgarija II GBD or GGB DBDG
Bulgarija III F#D or AF#D or F#AF#AD
Note what they say about the different systems for stringing them. There's another take here.
I don't know the bugarija specifically, but I have meddled with a few folky stringed instruments. Some advice:
- just because a book says D, that doesn't mean that your particular one was made for that pitch. Folk instruments are made by, well, folk, and they vary a lot. For that matter, what your Dad calls a "bugarija" might mean something different to him than it does to your reference book - maybe a "piccolo" member of the family, who knows?
- again, does your source say which D? Often these things are tuned in courses where one string of the pair is thinner and tuned an octave higher (think 12 string guitar)
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- the bridge/head discrepancy could be a) because someone's adapted the instrument in the past. I've seen some weird things done to old mandolas like that as they were changed from four triple courses to five pairs, etc. Or b) some player in the past habitually preferred a different string spacing to the original maker, and butchered it accordingly.
On the "tune it like a guitar" front, I'd try and resist if I were you. A lot of the appeal of traditional instruments is the unfamiliar resonances and tone colour of their tuning. You'll lose a lot of the distinctiveness if it's just a different flavoured guitar.
posted by i_am_joe's_spleen at 11:50 PM on March 6, 2004