Who said this? Was it Hitchcock?
October 4, 2006 5:26 AM
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Who said "There is nothing more frightening than a closed door."? I seem to remember an attribution to Hitchcock, but that may be apocryphal. Also, my recollection of the quote may be a paraphrase.
posted by sciurus to media & arts (19 comments total)
"I am of the last quarter of the last generation that remembers radio drama as an active force - a dramatic art form with its own set of reality. I was in attendance, during my younger years, at the deathbed of radio as a strong fictional medium.
"Nothing is so frightening as what's behind the closed door. The audience holds its breath along with the protagonist as she/he (more often she) approaches that door. The protagonist throws it open, and there is a ten-foot-tall bug. The audience screams, but this particular scream has an oddly relieved sound to it. 'A bug ten feet tall is pretty horrible', the audience thinks, 'but I can deal with a ten-foot-tall bug. I was afraid it might be a hundred feet tall'.
"The artistic work of horror is almost always a disappointment. It is the classic no-win situation. You can scare people with the unknown for a long, long time but sooner or later, as in poker, you have to turn your cards up. You have to open the door and show the audience what's behind it.
"The thing is, with such things as Dachau, Hiroshima, the Children's Crusade, mass starvation in Cambodia - the human consciousness can deal with almost anything... which leaves the writer or director of the horror tale with a problem with is the psychological equivalent of inventing a faster-than-light space drive in the face of E=MC2.
There is and always has been a school of horror writers (I am not among them - it is playing to tie rather than to win) who believe that the way to beat this rap is never to open the door at all.
"The exciting thing about radio at its best was that it bypassed the whole question of whether to open the door or leave ir closed. Radio, by the very nature of the medium, was exempt. For the listeners during the years 1930 to 1950 or so, there were no visual expectations to fulfill in their set of reality.
"The thing I have called the 'set of reality' has something to do with what film technicians call 'state of the art'. The set of reality changes, and the boundaries of that mental country where the imagination may be fruitfully employed (Rod Serling's apt phrase for it, now a part of the American idiom, was the Twilight Zone) are in near-constant flux. In 1942 Val Lewton could not shoot in Central Park by night, but in 'Barry Lyndon' Stanley Kubrick shot several scenes by candlelight. This is a quantum technical leap which has this paradoxical effect: it robs the bank of imagination.
"Radio avoided the open/closed-door question, I think, because radio deposited to that bank of imagination rather than making withdrawals in the name of 'state of the art', Radio made it real. When you made the monster in your mind, there was no zipper running down its back; it was a perfect monster."
That has always been my favourite passage of King's book.
posted by hot soup girl at 5:41 AM on October 4, 2006 [4 favorites]