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	<title>Comments on: Excellent disjointed writing</title>
	<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing/</link>
	<description>Comments on Ask MetaFilter post Excellent disjointed writing</description>
	<pubDate>Wed, 27 Sep 2006 10:06:36 -0800</pubDate>
	<lastBuildDate>Wed, 27 Sep 2006 10:06:36 -0800</lastBuildDate>
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	<docs>http://blogs.law.harvard.edu/tech/rss</docs>
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	<item>
		<title>Question: Excellent disjointed writing</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing</link>	
		<description>Can you think of any examples of &quot;disjointed&quot; writing -- writing with abrupt transitions -- that works? Faulkners Sound and Fury is a good example but shorter pieces are better for my purposes. Can be fiction or non-fiction. &lt;br /&gt;&lt;br /&gt; &lt;small&gt;For those who want some context, I am leading an exercise with some writers and it goes something like this:&lt;br&gt;
&lt;br&gt;
First, you take the reader on a tour of a place that you know very well.&lt;br&gt;
Then, mix (&quot;splice&apos;) into your own writing passages from Jamaica Kincaid&apos;s &lt;i&gt;A Small Place&lt;/i&gt; where she is taking the reader on a tour of Antigua.&lt;br&gt;
Then, mix into &lt;i&gt;that&lt;/i&gt; passages from Mike Davis&apos; &quot;Sinister Paradise&quot; where he is taking the reader on tour of Dubai in 2010.&lt;br&gt;
&lt;br&gt;
Confused? So were they but I eventually got the idea across (&quot;It&apos;s as much about the selection and arrangement of other people&apos;s writing as it is of creating your own text.&quot;) and the exercise is going swimmingly. The transitions between passages are abrupt in a good way and I would like to show them some other examples of this.&lt;/small&gt;</description>
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		<pubDate>Wed, 27 Sep 2006 09:57:15 -0800</pubDate>
		<dc:creator>Aghast.</dc:creator>
		
			<category>disjointed</category>
		
			<category>abrupt</category>
		
			<category>writing</category>
		
			<category>arrangement</category>
		
			<category>editing</category>
		
			<category>literature</category>
		
			<category>examples</category>
		
			<category>prompt</category>
		
			<category>workshop</category>
		
	</item> <item>
		<title>By: vers</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721570</link>	
		<description>Most anything by &lt;a href=&quot;http://en.wikipedia.org/wiki/Carole_Maso&quot;&gt;Carole Maso&lt;/a&gt;, particularly &lt;em&gt;Ava&lt;/em&gt;.</description>
		<guid isPermaLink="false">comment:ask.metafilter.com,2006:site.47404-721570</guid>
		<pubDate>Wed, 27 Sep 2006 10:06:36 -0800</pubDate>
		<dc:creator>vers</dc:creator>
	</item><item>
		<title>By: Riemann</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721581</link>	
		<description>Catch 22.</description>
		<guid isPermaLink="false">comment:ask.metafilter.com,2006:site.47404-721581</guid>
		<pubDate>Wed, 27 Sep 2006 10:17:29 -0800</pubDate>
		<dc:creator>Riemann</dc:creator>
	</item><item>
		<title>By: xmutex</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721610</link>	
		<description>The stories that comprise David Mitchell&apos;s &lt;a href=&quot;http://www.amazon.com/Cloud-Atlas-Novel-David-Mitchell/dp/0375507256&quot;&gt;Cloud Atlas&lt;/a&gt; do just this: they end abruptly, mid-sentence even, and fold in and out of one another. And, also, they are brilliant.</description>
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		<pubDate>Wed, 27 Sep 2006 10:38:21 -0800</pubDate>
		<dc:creator>xmutex</dc:creator>
	</item><item>
		<title>By: infinitewindow</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721612</link>	
		<description>Michael Moorcock&apos;s &lt;i&gt;The Brothel in Rosenstrasse.&lt;/i&gt;</description>
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		<pubDate>Wed, 27 Sep 2006 10:38:43 -0800</pubDate>
		<dc:creator>infinitewindow</dc:creator>
	</item><item>
		<title>By: ernestworthing</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721614</link>	
		<description>I second Joseph Heller&apos;s Catch 22.&lt;br&gt;
It was so difficult to read.</description>
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		<pubDate>Wed, 27 Sep 2006 10:39:48 -0800</pubDate>
		<dc:creator>ernestworthing</dc:creator>
	</item><item>
		<title>By: shownomercy</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721616</link>	
		<description>&lt;a href=&quot;http://www.amazon.com/Slaughterhouse-Five-Kurt-Vonnegut/dp/0440180295&quot;&gt;Vonnegut rocked this style.&lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;http://www.storymania.com/cgibin/sm2/smreadtitle.cgi?action=display&amp;file=shortstories/GraysonR-DisjointedFictions.htm&quot;&gt;Raison d&apos;etre&lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;http://www.strangehorizons.com/2006/20060925/mayfly-f.shtml&quot;&gt;Speculative fiction is fullllll of this--nice archive here.&lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;http://en.wikipedia.org/wiki/Slipstream_(literature)&quot;&gt;Slipstream in specific.&lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;http://www.one-story.com/index.php?page=story&amp;story_id=70&quot;&gt;Secret lives of doctors&lt;/a&gt;</description>
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		<pubDate>Wed, 27 Sep 2006 10:40:21 -0800</pubDate>
		<dc:creator>shownomercy</dc:creator>
	</item><item>
		<title>By: johnasdf</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721639</link>	
		<description>It seems like you might want to avoid prose fiction and look at modernist and postmodernist poetry, particularly Eliot, Gertrude Stein, Ezra Pound, William Carlos Williams of SPRING AND ALL, Ted Berrigan&apos;s Sonnets, Lyn Hejinian&apos;s My Life, Charles Bernstein, Paul Celan, etc.</description>
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		<pubDate>Wed, 27 Sep 2006 10:53:48 -0800</pubDate>
		<dc:creator>johnasdf</dc:creator>
	</item><item>
		<title>By: Scram</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721770</link>	
		<description>William S. Burroughs&apos; cut-ups are more hand-crafted than he would have had folks think. &lt;em&gt;Naked Lunch&lt;/em&gt; the most famous of these novels, &lt;em&gt;Nova Express,&lt;/em&gt; I think, the most beautiful.</description>
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		<pubDate>Wed, 27 Sep 2006 11:52:09 -0800</pubDate>
		<dc:creator>Scram</dc:creator>
	</item><item>
		<title>By: junkbox</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721771</link>	
		<description>You need a copy of Campbell McGrath&apos;s &lt;a href=&quot;http://www.amazon.com/Spring-Comes-Chicago-Campbell-McGrath/dp/0880014849&quot;&gt;&quot;The Bob Hope Poem.&quot;&lt;/a&gt; It includes spliced-in bits from &lt;i&gt;People&lt;/i&gt; magazine, &lt;i&gt;National Geographic&lt;/i&gt; and numerous other sources. Also, it&apos;s completely brilliant.</description>
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		<pubDate>Wed, 27 Sep 2006 11:52:39 -0800</pubDate>
		<dc:creator>junkbox</dc:creator>
	</item><item>
		<title>By: J-Garr</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721838</link>	
		<description>Illuminatus Trilogy and If On A Winter&apos;s Night A Traveler both come to mind.</description>
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		<pubDate>Wed, 27 Sep 2006 13:01:51 -0800</pubDate>
		<dc:creator>J-Garr</dc:creator>
	</item><item>
		<title>By: wryly</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721889</link>	
		<description>Faulkner&apos;s short story, &quot;A Rose for Miss Emily,&quot; might be a good one. The story is told with the order of events completely jumbled.</description>
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		<pubDate>Wed, 27 Sep 2006 13:41:51 -0800</pubDate>
		<dc:creator>wryly</dc:creator>
	</item><item>
		<title>By: wryly</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721891</link>	
		<description>So sorry... it&apos;s &quot;A Rose for Emily.&quot;</description>
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		<pubDate>Wed, 27 Sep 2006 13:44:24 -0800</pubDate>
		<dc:creator>wryly</dc:creator>
	</item><item>
		<title>By: Aghast.</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#721903</link>	
		<description>Great suggestions. &lt;br&gt;
&lt;br&gt;
I just ordered me some Cambpell McGrath for a dollar on amazon based on junkbox&apos; suggestion.&lt;br&gt;
&lt;br&gt;
If on a Winter&apos;s Night... fits too. I&apos;ll recommend it to them and tell them the concept so they can see it themselves if they want. &lt;br&gt;
&lt;br&gt;
Cloud Atlas sounds exciting with the folding in on itself. I want us to consider attempting that in our writing as well.&lt;br&gt;
&lt;br&gt;
The personal essay seems like a genre where this would happen. Anyone know any personal essays that I can use?</description>
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		<pubDate>Wed, 27 Sep 2006 13:54:01 -0800</pubDate>
		<dc:creator>Aghast.</dc:creator>
	</item><item>
		<title>By: strangeleftydoublethink</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#722062</link>	
		<description>The Life and Times of Kater Murr by E.T.A. Hoffmann. It&apos;s written by a cat.</description>
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		<pubDate>Wed, 27 Sep 2006 16:49:12 -0800</pubDate>
		<dc:creator>strangeleftydoublethink</dc:creator>
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		<title>By: rob511</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#722140</link>	
		<description>A very early example of modern (or even postmodern) theater is &lt;a href=&quot;http://www.litencyc.com/php/sworks.php?rec=true&amp;UID=10376&quot;&gt;Woyzeck&lt;/a&gt;* by Georg B&#252;chner, who left several drafts at his death in 1837. It was based on a well-known actual event, and has been completed by a number of authors. Perhaps because of its fragmentary nature, it is sometimes considered the first piece of Expressionist theater. It has also been adapted into other media, the most famous of which is Alban Berg&apos;s opera &quot;Wozzeck.&quot; Both the play and the opera are considered masterpieces.&lt;br&gt;
&lt;small&gt;&lt;small&gt;*I&apos;m certain &quot;Woyzeck&quot; is in the public domain, but the only online version I could find is &lt;a href=&quot;http://www.gutenberg.org/etext/5322&quot;&gt;Project Gutenberg&apos;s German-language one&lt;/a&gt;.&lt;/small&gt;&lt;/small&gt;</description>
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		<pubDate>Wed, 27 Sep 2006 17:59:18 -0800</pubDate>
		<dc:creator>rob511</dc:creator>
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		<title>By: AmbroseChapel</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#722388</link>	
		<description>William Gibson has remarked that his writing style in his early novels, which are regarded as disjointed and filmic, &quot;cutting&quot; between scenes abruptly, was caused by the fact that he didn&apos;t know how to write transitions. &lt;br&gt;
&lt;br&gt;
His hero would check in to the hotel, but Gibson didn&apos;t know how to write him finding the lift, going to his floor, finding his room and putting down his bags, so he&apos;d just cut to something else.</description>
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		<pubDate>Wed, 27 Sep 2006 23:50:47 -0800</pubDate>
		<dc:creator>AmbroseChapel</dc:creator>
	</item><item>
		<title>By: johnasdf</title>
		<link>http://ask.metafilter.com/47404/Excellent-disjointed-writing#722746</link>	
		<description>Holderlin!</description>
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		<pubDate>Thu, 28 Sep 2006 09:32:01 -0800</pubDate>
		<dc:creator>johnasdf</dc:creator>
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