SubscribeAt a public screening of this movie during the 1999 Toronto International Film Festival, one viewer was so upset that, in the midst of a crucial scene, he rose to his feet and shouted that he couldn't take any more, then headed for the exit, intending to pull the fire alarm. Roth, who was in attendance, intercepted him at the door, and it took 20 minutes of intense conversation to calm the man down.This isn't hyperbole, it is that overwhelming. I've seen plenty of soul-wrenching cinema but nothing, nothing I've seen holds a candle to The War Zone when it comes to scarring the psyche.
The War Zone is a devastating motion picture; it's the kind of movie that stuns an audience so absolutely that they remain paralyzed in their seats through the end credits. It does not deal in euphemisms nor does it hide the physical and emotional brutality of the act from viewers. What Roth has accomplished is nothing short of brilliant, but it is also incredibly daring, because the film has no commercial prospects. No matter how many critics trumpet The War Zone's merits, viewers will not flock to see it; the subject matter is too upsetting and daunting. Yet for sheer force of emotional power, I have not seen the movie's like in years. As I write this review two weeks after seeing The War Zone, every scene remains fresh in my mind, and the overall impact has not lessened.
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City of Lost Children
Amelie
I loved all three, all by the same Director (or was it writer).
Not as intense as some of the ones you named, more on the odd magical realism tip.
posted by Ponderance at 1:57 PM on September 10, 2008